I’m going to go ahead and skip the obligatory introductory blog, except to say Hello to all of you, my friends.
Let’s get down to business.
“The humble are like nightingales that hide in ravines and spread joy to the souls of men with their sweet songs.” -Elder Paisios
I can point to a place in my past, maybe four years ago–it’s like a chasm separating thoughts I can remember having, and this other self that I barely recognize. Cursory glances at my writings before this point, private or otherwise, betray the thoughts of an almost embarrassingly enthusiastic and emotional effigy of myself. It’s pretty painful. That pain, like most of our experiences, is probably much more common than I think it is. And I still think I’ve got something of that self in me left.
Anyway, in seventh grade or so, we had to write an essay in response to the prompt, “Who is your hero and why?” Most of my classmates wrote about their dads, or their athletic idols, or their Harriet Tubmans and MLK’s. Why did I write about Charles Schulz, the pen behind Peanuts?
My primary source for this essay was an obituary that had just been written, telling of his battle with colon cancer, the disappointment of being robbed of the ability to continue with his work, his love for his wife, Jeannie (who would herself die later that year), and an introductory essay to the first Peanuts collection published in Italian, written by Umberto Eco, analyzing Schulz’ Freudian and Adlerian projections that obtained existence in the beloved characters, Charlie Brown, Linus, the Red-Haired Girl, and the curious absence of identity ascribed to adults–very high-minded stuff.
Schulz was a divorcée and a lapsed Methodist Sunday School teacher whose comics dealt with, above all, disappointment (cf. Lucy’s dirty football trick, which makes me think that the author of The Gospel According to Peanuts should have reconsidered, and written about Schopenhauer instead, or at least Ecclesiastes). What did my seventh-grade mind, revealed to be more melancholic than I remember, find heroic about all this?
I should first recall my own experience with Peanuts. Here it is:
I’m nine. I’m staying the weekend at my grandparents’ place on the other side of town—the quieter, more autumnal side, as I remember it, where the houses are closer together and the grass isn’t so coarse as in our sprawling, country mega-yard–it’s funny that the tight space incited in me just the opposite of claustrophobia. I spend the mornings and afternoons in the basement, and between soccer games and meals (Grandma always used to put sugar on our Rice Krispies, ah!), I read from their assortment of paperback Peanuts collections.
Reading Peanuts was a very sensual experience; not only the beautiful simplicity of the faces and scenery, and the depth of meaning found in the three- or four-panel dialogues (the best ones were without words altogether), but also the smell. That lovely, old book smell. That smell that I can’t have without thinking of my grandma. And this is the heroic part.
You see, my grandma Vredevoogd was a saint. She was a nightingale, hidden in a ravine—grey, weathered and warm. She was most herself when she tucked me in, and when she chastised me. Her sweet songs (coupled with Grandpa’s whistling—always the same, ancient tune that my mother will now also occasionally absent-mindedly warble) were her moments of sainthood in tenderness and in righteous anger, though most often she was even-keeled, steady, curly-haired, tall and wiry. To me, the varicose veins around her ankles, despite her attempts at concealment with dark hosiery, were like purple hearts—the accolades for a life lived well.
These days, as in those days, I have trouble separating Peanuts from Grandma in my mind. She, like Schulz, knew that life, especially life in Dutch West Michigan, is mundane. She knew the “eternal recurrence of the same”—the same football retracted at the same moment, the same futility of flying a kite with a will of its own, the same faceless teachers and uncompromising seasons. The same lawns, the same houses, the same friends, the same children.
She knew all of this, but she beat it. Her death occurred not long before I wrote that essay. It was not a death that she succumbed to. It was an exercise in overcoming. It was graceful, humble, and meek. It was magnanimous and servant-heart shimmered as her body faded and shriveled; it was almost like she prepared the post-funeral ham sandwiches before her death, just so we wouldn’t be bothered. (I think the only way to die, and to live, is magnanimously, but few can.) My essay honored Charles Schulz because he was, in the end, honest about what is, and must be overcome. Charlie told me how great my grandma was, how she had the courage and stamina to accept the grace of God and continue to wade through the thickness of the mundane, finding and receiving those moments of utter harmony that occur ever so often if you can just pay attention (cf. Charlie Brown’s crooked line grin). I didn’t know it then, but I was writing an ode or a prayer to her, hidden beneath what was probably a very dry, poorly written biographical sketch of a curious sort of existentialist that spoke with consequence of his diligence (in his 50-year career he took just one vacation, in 1997) and honorable life as a Christian, and a Sunday School teacher (I must have skipped the lapsed part in my disappointment and desire for him to be the hero I wished he was).
My grandma, Betty, was Schulz’ salvation in my mind. She was the perfect no-hitter, the breezy day when the cumulus clouds creep across the ocean of a sky and the blue hits the red of your kite just as elegantly as the wind. She was the Red-haired Girl’s peck on the cheek, Snoopy’s faithful return of the stick, and the vast, towering hillside of powdery snow just begging to be sledded upon. She was everything that makes a boy feel at home, assured, and supported in the senseless return of the same. And each night I drive on I-196 on the cliff that overlooks the small Grand Rapids skyline, it’s like Christmas Eve after Grandma’s House, and I’ve still got 40 minutes to sleep in the backseat before we get home.